Community Calendar

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

Norman Rockwell: Illustrating Humor highlights selections from Rockwell’s most amusing artworks drawn from the Museum’s permanent collection.

Norman Rockwell: Illustrating Humor runs concurrently with What, Me Worry? The Art and Humor of MAD Magazine, this summer’s landmark exhibition of original art from one of America’s oldest humor publications. These thematically linked exhibitions juxtapose and illuminate two strikingly different veins of American humor, from the gently comical to the outrageously satirical. The underlying unity, however, is apparent in the brilliance of the illustrations and the successful intent to prompt viewers’ laughter and, perhaps, invite rueful self-recognition.

“Once a Tree: Continuity, Creativity, and Connection” explores the deep-rooted significance of trees in Haudenosaunee culture, tradition, and creative expression. Featuring the work of 42 artists and more than 100 objects—including decorative and utilitarian baskets, cradleboards, snowshoes, ladles, lacrosse sticks, toys, instruments, carvings, and sleds—this exhibition highlights the important relationship between nature and artistry. Selected from the Museum’s permanent collection, the exhibition was created with guidance from curatorial consultants Terry Chrisjohn III (Oneida), Preston Jacobs (Mohawk), and Sheila Ransom (Mohawk).

"Separated but Unbroken: The Haudenosaunee Boarding School Experience" explores the lasting impact of the Thomas Indian School, once located on the Cattaraugus Reservation south of Buffalo, NY, and The Mohawk Institute near Branford, Ontario. These institutions, which enrolled a significant number of Haudenosaunee students, were part of a larger system that sought to erase Indigenous identities while deeply shaping the lives of those who endured them. Co-curated by Erin Keaton (Mohawk), the exhibition sheds light on Haudenosaunee resilience.

The Delmar Community Orchestra, under the direction of Vincent Bonafede, will present a Spring Concert on Monday, May 5, 2025 at 7:30 pm at the Delmar Reformed Church (386 Delaware Ave., Delmar). The concert, which will include classical selections as well as show tunes, pops, and movie music, is free and open to the public.

For more information, please visit the DCO website at www.delmarcommunityorchestra.org or contact DCO President Matthew Jones at matt.morgan.jones@gmail.com or (410) 274-6651.

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

Norman Rockwell: Illustrating Humor highlights selections from Rockwell’s most amusing artworks drawn from the Museum’s permanent collection.

Norman Rockwell: Illustrating Humor runs concurrently with What, Me Worry? The Art and Humor of MAD Magazine, this summer’s landmark exhibition of original art from one of America’s oldest humor publications. These thematically linked exhibitions juxtapose and illuminate two strikingly different veins of American humor, from the gently comical to the outrageously satirical. The underlying unity, however, is apparent in the brilliance of the illustrations and the successful intent to prompt viewers’ laughter and, perhaps, invite rueful self-recognition.

“Once a Tree: Continuity, Creativity, and Connection” explores the deep-rooted significance of trees in Haudenosaunee culture, tradition, and creative expression. Featuring the work of 42 artists and more than 100 objects—including decorative and utilitarian baskets, cradleboards, snowshoes, ladles, lacrosse sticks, toys, instruments, carvings, and sleds—this exhibition highlights the important relationship between nature and artistry. Selected from the Museum’s permanent collection, the exhibition was created with guidance from curatorial consultants Terry Chrisjohn III (Oneida), Preston Jacobs (Mohawk), and Sheila Ransom (Mohawk).

"Separated but Unbroken: The Haudenosaunee Boarding School Experience" explores the lasting impact of the Thomas Indian School, once located on the Cattaraugus Reservation south of Buffalo, NY, and The Mohawk Institute near Branford, Ontario. These institutions, which enrolled a significant number of Haudenosaunee students, were part of a larger system that sought to erase Indigenous identities while deeply shaping the lives of those who endured them. Co-curated by Erin Keaton (Mohawk), the exhibition sheds light on Haudenosaunee resilience.

Grades 5-8
Price: $240

Want to share your story in a creative way? Do you love comics, graphic novels, cartoons, and other forms of sequential art? Using a combination of researched storytelling methods and artistic experiments, students will explore what makes the art of cartooning unique and work together to translate our stories into real-life printed comic books. Students will be encouraged to stretch themselves creatively while still learning the technical basics needed to create a professional comic book. Each student will complete at least four pages of their own comic story, and the final stories will be assembled and printed as an anthology collection available at the local comic shop, World End Comics.

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Please register at least a week in advance to guarantee your spot.

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We believe in access to art education for all. It takes the whole community to generate the equity our pay-what-you-can tuition generates. Behind the scenes, we work to bridge the financial gap between what our students can pay and what we need to sustain our programs. Please consider carefully before you use our discount codes. Discount codes can be found on our website while registering.

8 Tuesdays
March 25, April 1, 8, 15, 22, 29, May 6, 13 (snow day May 20)
4:00 - 5:30pm

6 Tuesdays
May 6, 13, 20, 27, June 3, 10
6 - 8 pm

Ages 16 and Up

Have you been interested in getting into printmaking but have been paralyzed by which method to learn first? Then this is the course for you! Join printmaker Dilara Miller as she guides you through many processes on sample size matrices. Over this 6 week course, students will learn relief through carving and printing a small linoleum block, monotype through stenciling and color layering, and finally, etching a small intaglio plate. Through this sampler workshop, students will be exposed to many printmaking methods in miniature prints to help them identify which printmaking process calls to their artists' hearts.

Open to all levels of experience!

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Please register at least a week in advance to guarantee your spot.

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We believe in access to art education for all. It takes the whole community to generate the equity our pay-what-you-can tuition generates. Behind the scenes, we work to bridge the financial gap between what our students can pay and what we need to sustain our programs. Please consider carefully before you use our discount codes.

Scholarship Codes:
For 25% discount use code "25OFF" = $270
For 50% discount use code "50OFF" = $180
For 75% discount use code "75OFF" = $90

This economic justice map from The Sliding Scale: A Tool of Economic Justice by Alexis J. Cunningfolk is useful to assess where you may fall on the financial spectrum of pay what you can.

To request 100% off tuition, please contact chris@mkad.art

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.